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Xifer's Braincookie archive:
July 30, 2003 | here
July 23, 2003 | here
July 16, 2003 | here
August
6, 2003
I guess I expected to take more shit for my comments on cover bands last
week, and since I didn't I can assume 1 of 2 things is true:
1 - The folks who read my column ARE indeed the intended audience -- original
music writers, performers, and fans, folks who are entirely too busy making
music and hearing music and promoting music to even think about what party
bands are doing, folks who are (ideally) sanctioned and certified members
of the KISS Army.
OR
2 - There is nobody who reads my column.
With respect to Carl Sagan and Stephen Hawking (my copy of 'A Brief History
of Time' is personally autographed) I must momentarily entertain the idea
that nobody ever reads it...but WHEW! Thanks to our good friend the scientific
method, I can now eliminate that possibility right now; Y'alls are sending
notes -- letters of love and hate and indifference. Keep 'em coming so
I continue to know you're out there. AND what better reason for me to
flap my whiskey-soaked gums one more time???!!!
So first, about whiskey -- are we all aware that a whiskey a day is statistically
shown to reduce instances of chronic gingivitis? Y'know those days when
there just isn't enough whiskey in the world?? Those days when its 3 party
bands and 2 bussloads of bachelorettes in your nightclub and the only
thing standing between you and complete insanity is a crispy, inviting,
succulent Jameson's on the rocks?? You can rest easy knowing that you're
not just buying a whiskey -- you're investing in good dental hygene.
Just in case you can't relate, here's some stuff about cover-bands. I'm
gonna refrain from mentioning names, since there are relationships, and
I don't wanna insult or disproportionately advertise any one of them in
particular.
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5 THINGS ABOUT COVER BANDS:
1 - Like original bands, some of them are 'good' and some of them 'suck.'
My humble opinion on what that means exactly is this: a 'good' cover band
is one where the members like each other, have a good time doing shows
that make them some cash, enjoy the perks (i once got sent to Beijing
to play disco for a month), and don't get so caught up in the politics
of the business that they forget why they're there -- to throw sucker-punches
of fun at folks who wanna shake off the office and the meetings and the
drudgery of many modern lives and have a harmless good time. Whatever.
What it becomes when the band is good is A HARMLESS GOOD TIME.
The ones that suck take themselves way too seriously, don't like their
audience, their managers, their engineers, or each other. They demand
(as opposed to request) extra towels and waters and beers delivered to
the stage and the dressing room and the van and the tool shed, and then
phone in a half-assed show for a room fulla drunken assholes, which is
what it becomes when the band sucks -- a ROOM FULLA DRUNKEN ASSHOLES.
2 - Contrary to once popular Bay Area dogma, cover bands don't steal fans
from original bands. What, you think the folks who once went crazy for
Thinking Fellers Union up and realized, "Holy shit! Look at all the
cover bands in San Francisco! I think I'll start going to see them instead!!!"?
C'mon now. I know we're supposed to consider the most unlikely of answers,
but in the wise words of Steve Hill (doorman savant), "That's just
stupid."
3 - I'll lay it out in black and white: Cover bands make clubs money.
Its easy. If my Robin Hood-esque tone is offensive to anyone, let me apologize
in advance. One sold out Saturday with a cover band and a buncha drinkers-who-mean-it
makes a club enough money to survive that Thursday night show you did
with your 2 favorite bands. You remember -- you didn't realize Radiohead
was playing the same night, and nobody came to your show, and the club
lost money...but there was a bright side!! The vibe was good for the 15
people that DID show up (thanks, Mom), and the cover band that played
the previous Saturday BAILED YOUR ASS OUT by making the club enough money
to withstand the impact. Be thankful. Important clue: Nobody gets rich
opening a nightclub that features live, original music most of the week.
If they're smart, they find a way to keep dollars flowing in whenever
and however they can. Its a food chain model. Dig?
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4 - There is now, always has been, and likely always will be a need
for cover bands. To have a counter culture, there must be a mainstream
culture from which the counter culture stands out. That mainstream culture
wants to hear 'Brick House.' Again. They want to hear 'Come on Eileen.'
They want to hear 'Hella Good.' Before they get married, they want to
rent a bus for their bachelorette party and go cruising clubs asking
random patrons and sound engineers for a condom, the tag from their
underwear (sorry, Hilary, I wasn't wearing any), and to "suck for
a buck" Lifesavers from her white t-shirt. At their wedding receptions,
they want the band to get as drunk as the guests and play the same set
they heard at their bachelorette party.
5 - I was in a cover-band once. I'll never be in one again. It was really
fun until we started to suck.
So there we are -- say whatcha like. Its a viable business model. As
much as I can't wait for the day when our scene is strong enough to
support the clubs that house us on our own (oh, dahlin', stand up and
show us how tall you ahhhhhh...), it ain't the case right now. So keep
workin, and don't hate the players or the game. The next time you see
a line 'round the block to see the Supertaintedjonesingcheesebreadpopwashgroovecrunch
with Lunatic Fringe (the Red Rider tribute act) and Hard Promises (playing
the great hits of Reo Speedwagon) at Bimbo's for $20, rejoice. Its no
hair off your back, you reap some benefits, and all we really need to
do is get along ferchrissake.
In other news, my cool band, Griddle (not a cover band) is playing this
weekend. If anyone wants details, drop a note.
Kisses. Thanks for reading.
- xifer
e-mail
christopher@jaysieganpresents.com
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